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Still, i have a few decks of cards up my sleeve to make this an interesting journey.ĭEADLINE: Cosplay has been such a big factor in Harley Quinn’s special aura and stature among fans. Her third kill however… it’s to impress him. Believe me, it only gets worse, before it gets better. This allows me to focus on the serious matter at hand while every now and then giving the audience a break from the intense stuff that unfolds before them. As for how evil she should be, there is an arc to it all. She won’t be telling jokes, but funny things will happen to her as life slapsticks her through the first story arc.

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In fact humor in this series first arc is primarily going to be a situational thing. Harleen is not a funny person nor is she trying to be. What have your experience been like on that front? DC Comics How evil and violent she should be, for example, are balanced against the character’s bubbly charisma and comedic tone. It is a story of a smart woman making bad decisions out of love, and in the end dealing with the consequences of it all.ĭEADLINE: As Harley’s popularity has grown there have been different tugs on the character and her portrayal. But once she is there, just like Michael Corleone, she makes her own place in it all. Point is, this is a story about her primarily. It is, however his love for his family that pulls him in and we see him change into a ruthless mobster. Harleen is also someone who is dragged into hell by the chains of her own love. In the beginning of it all, he wants no business with his family business. SEJIC: So to avoid spoilers I’m going to answer this in a bit of an indirect way. I’ve said it before, I see Harleen in the same way I see Michael Corleone in The Godfather. Can you talk a bit about that relationship and how it shapes Harley’s path? My priority is to keep you invested. And keeping people invested is a fine balancing act for any writer.ĭEADLINE: The character’s backstory is so intertwined with the Joker that she could have remained in the limited roles of story accessory. If a character is written well enough, people will do that on their own. I am not here to make you relate to her, to make you identify with her. SEJIC: That depends on the kind of story you’re doing. A slapstick kind of take will strain your ability to do visual gag type of humor. An action focused take will challenge your ability to still keep her interesting as a character. For me personally, I am writing a story of a villain. A friend you keep telling, “Just leave, they’re not good for you.” The answer they provide is often the same: “You don’t know them the way I do.” DC ComicsĭEADLINE: What’s the biggest challenge posed by handling a Harley Quinn project?

The effort is one-sided, and your love keeps you trapped in an emotionally abusive relationship. You take away the clown makeup, the outfits, and Harleen could be someone you know. A shy female protagonist falls in love with a dangerous man, and through her love and patience, he regains his humanity. Unfortunately in reality this isn’t always the end result. Sometimes the person you love so much will never change.

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She is a mirrored archetype showing a dark and often more realistic side to an old romance movie and novel staple, the beauty and the beast. While many only think of the old fairytale when the concept is brought up, it is in fact an entire section of romance that plays on the same idea.

What i mean by that is, Harleen Frances Quinzel is a cautionary tale. STJEPAN SEJIC: Of all of them she always felt the most real.